Band: Murmur Mori
Murmur mori is part of an Italian collective that embodies more than just music. Stramonium seems to aim and various forms of expression and this just happens to be one of them. The collective has released a compilation as well featuring groups like Ashtoreth, Sangre De Muerdago and VRNA in tribute to winter solstice.
It helps to place where this group is coming from with a revivalist attitute towards old traditions and a drive to reimagine them in these turbulent, higly urbanized times. The old forests and mountains, the sacred places in northern Italy are what inspired this record by Mirko Void and Kurio Silva.
The music is mild, slowly trickling down with a gentle hand, but never fading away. The continuity is that of the mountain river and the wind, in which you can hear the gentle song of the vocals. It’s very much like listening to nature and finding that voice. On ‘Nemeton’ we hear eerie ambient, foreboding and mysterious, as are the omnious mountains in the morning light, when the peaks are still covered by the black of night and the sun peeps up in between.
The droning sound has an endlessness to it, which is very fitting with the topics of the music. The upbeat tribalism of ‘Il Legno, il Sasso e la Volpe al Fiume’ in its percussive dance, the gloomy droning of ‘Aquile’, it both embodies the experiences one can have in nature. Never does Murmur mori waste any sounds on filling voids, it’s as complete as the nature they describe. Both the silence and the vibrancy, which can both be seen when not obscured by darkness. The discrepancy between the timbre and flow of closer ‘La Caverna’ in its own way speaks of the many sounds you can identify, the many roads to walk.
The record in its entirety is an exploration, a quest into the heart land of Europe, south of the Alps but flocking to its outskirts. It’s a tangible quest of sound and feeling, much like I feel I’m experiencing. It’s also lovely.