Band: King of Asgard
If Unleashed hadn’t become the beer-guzzling cliché that it unfortunately is and had stuck to their guns, they might have become King of Asgard. I’m very aware that this is a risky thing to say because to put them in one sentence is bound to be controversial. Musically, the Swedes appear to be difficult to place. Angry Metal Guy puts them in the folky black metal corner, while Metal Temple throws them in the bucket of melodic death metal. Being the much less genre-oriented typing metal fan that I am, I’ll just leave it at this; King of Asgard has a bit of both but is mostly Viking metal.
King of Asgard revolves around Karl Beckman, who has stayed firmly on the trajectory he started on with Mithotyn. This band is slightly different in being more dark and brooding. ‘Taudr’ is the fifth album by the band, which also has featured Jonas Albrektsson since 2009 (from Thy Primordial and Retaliation a.o.). Albrektsson is arguably more of a black metal guy, hence the sound on this record. Everything about this record just oozes northern folklore and the grim realities of that realm.
So even though I don’t wish to admit it, for me the great appeal of this album is definitely the black metal atmosphere blended with folk. Not in the blended way, where it all ends up being a drinking horn raising bacchanal. No, both aspects do their respective job in turn or distinctly separate. ‘The Curse and the Wanderer’ immediately jumps into the fray with vigor and battle lust. Notable instantly are the drums, that definitely keep the hard and solid bottom in the songs. Even when the chanting parts pass by, the skins keep it together. Sharp, tightly mixed guitars drive the song forward, without ever doing more than needed.
The hurdy-gurdy on ‘Death …and a New Sun’ is exactly where it needs to be. It offers the droning center that you stick with for the whole song. Rigid riffing and a continuous, monotonous sound tell a story in itself. It also makes the song extremely heavy. But I’d like to talk about the title track because the dynamic intro is already exciting foreplay to the grandeur of this song. There’s a majesty to the sound here, thanks to an again excellently produced bit of string magic. It leans towards folk metal, without ever crossing the border to fun and silly-land. The harsh bark of Beckman really shouts you into submission. Man your oars and row, you scabs! Excellent drumming on this track again.
A climactic point on the album is ‘…For the Fury of the Norse’. To me, this track crosses some lines in its grand finale moment, but it is entirely fitting on its spot in the album. The soaring guitars and slow pace are a bit too Marvel Thor for me. Still, it’s rather enjoyable and on a more critical level, I can’t find any fault in it. Closing the album is Mithotyn cover ‘Upon Raging Waves’. A cover is always tricky, particularly of a band with a distinct sound. Beckmann obviously understands his own song well enough to shape it to the sound and feel of King of Asgard. It might be the best song on this album.
King of Asgard is not breaking new ground because they do what they do excellently. A true gem in current day metal, particularly for those who need no novelties in their heavy sound.