Label: Haeresis Noviomagi
Band: Iskandr
Origin: The Netherlands
Iskandr is one of the odd ones out in the Dutch black metal scene and on ‘Euprosopon’ they’ve made the next step in complexity, atmosphere, and mystique. The album deals with the topic of the impossibility of an ideal man and the value of strife and heroism in an age of loss. They aim for medieval symbolism on this record, that stands as a timeless piece of art.
Iskandr is a project by Omar K., who is also active in Galg, Lubbert Das, Solar Temple, and Turia. With this project, he explores more strange themes. The name itself is an eastern variation on that of Alexander the Great, which might explain some of that. This is the second album under this moniker.
The record opens much as a ritual, with slow, eerie passages and gentle prayer bells. Chanting emerges from the sides. Are we moving towards Clannad here? The guitars slowly turn dissonant, so I may be wrong as ‘Vlakte’ suddenly lunges into full speed with a remarkably melodic bit of riffing. There’s a subtlety to the sound, to the wavery riffing and the oft barely audible chants, woven into the texture of the songs Sure, there’s a working towards the summit of the song with violent turmoil and energy, but it is ever done with brute force, but smooth technical play. Much the same applies to ‘Regnum’, which contains some more mystique aspects and warm, upbeat sections. The vocals are commanding, but never full of venom, which is remarkably pleasant. I have to point out the Spanish guitar in the end as absolutely exquisite.