Underground Sounds: Dymna Lotva – The Land under the Black Wings: Swamp

Label: Der Neue Weg Productions
Origin: Belarus:
Band: Dymna Lotva

Belarussian grief with Dymna Lotva

The band Dymna Lotva hails from Belarus, a country with a long history and traditions. They might have been obscured in the times of the Soviet occupation and maybe still under the rule of Lukashenko. Belarus has a rich and fertile soil for re-enactment, folk music and densely atmospheric projects like the DSBM band Dymna Lotva.

The group has been around since 2015 but hasn’t taken the time to relax since their inception. The band appears to revolve around their singer Ekaterina Mankevich (stage name Nokt), who writes the lyrics and is the person appearing on the press pictures. The themes the band applies to their music are nature, folklore, and sorrow, which is tangible from the artwork already.

The gentle flutes play a haunting melody. A low piping accompanies the melody, offering slow bass lines until the piano starts playing. The atmosphere grabs you immediately, with a sound filled with melancholy and darkness. The careful introduction brings us to the windswept planes of Belarus in ancient times, when the sinister voice of singer Nokt starts luring you in. Her voice can be beautiful as much as frightning in its cold beauty.

Intricate melodies are woven through the songs, that truly hold to the depressive, atmospheric black metal vibe. Slow, lingering guitar passages are like a swamp to sink away in on ‘Willothewisp’. At the same time the running piano steps are seducing you to look further. Dymna Lotva seems to use quite some synths to achieve the overwhelming, smothering sound that they produce. Sometimes the sound is a bit too polished, a little too much to handle. It’s a hard balance to find and really a personal listening experience. Next to the high pitched screams of Nokt, the growls on ‘Requim’ by Andrew Tomak from Apologeth seem unnecessary. The two singers don’t add, but just double up in a sense.

Ambient sounds fill up the voids in songs and the traditional instruments give an ethnic feel to the music of these Belarusians. A fascinating record for sure. Folky with a bit of dungeon synth, in conclusion this is a joy to listen to.

 

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