Seregost is first and foremost a work of love. Love for the genre of dungeon synth, love for the fantasy and music that has inspired it. Words of thanks are levelled at names such as Basil Poledouris, Gary Gygax and Robert E. Howard, but also at Mortiis. The grandmaster of the dungeon synth genre will likely nod in approval of this spawn of darkness, building on his creativity.
‘Halls of the Nameless King’ follows the narrative of a man wandering into the halls of a forgotten castle. We call him The Wanderer, who discovers mysteries untold and enemies fierce in his journey into the depths of hell itself in this forgotten castle.
We start with ‘Through the Darkwood’, which allows us to traverse through an ominous landscape. Subtle baselines hint at a threat from beyond and calm, repetitive melodies dance between the trees. The wind rises, blowing up a fierce gale when sturdy bassoon-like synths herald the emergence of the crumbling towers. Voices sing in awe of its solid might. Behold, the castle is here. ‘Silent stands the stronghold’, keeping its secrets, and repelling you with its stone might. We have become the wanderer.
As we enter the castle gates to ‘An Ominous Enclave’, the synths become less ethereal, more solid and sonorous. The listeners are taken through the old keep and the music builds up the tension gradually, giving that vibe that something may be very much amiss, or perhaps not so much. In the ‘Chapel to a Forgotten God’ we have some more light in the music, though perhaps it is only the illusion of might from ancient ritualistic symbols in this room. The organ sounds do bring a sense of humility to you as you step through these ancient halls. But suddenly, ‘Hidden Passages Reveal’, which the subtle bass flow and the gentle keys manage to convey very successfully.
Yet as we enter the ‘Hall of the Nameless King’, the sound swells to a more regal tone and atmosphere. But here, something stirs and the adventure comes to a climax. The drums sound, the synths herald ‘Behold, the Warlord’ and more is yet to come. The music becomes more adventurous here, more building towards a crescendo. But this is a false ending, as a ‘Stranger Things’ like end leaves you hanging on for more yet.