Tag Archives: salvatore

Reading of Books #25

I’ve been reading a lot again, so theres a list of the books of this month with writings by Salvatore, Houellebecq, Kinna and Reynolds. Really good stuff, so yeah.

R.A. Salvatore – The Sundering: The Companions

source: goodreads.com

I am not yet certain what my thoughts are on the tragic deaths of the companions of the hall, the long journey of Drizzt Do’Urden to find peace in Irruladoon in the following books and then the strange turn of events where they are all revived. Certainly, I hated saying goodbye to this group of characters from the D&D universe, but the story had ended after the Neverwinter Saga, a journey I started ironically here where it all ended. So this is the book where we start again, once more onto the breach! The characters start their journeys in new body’s after a gift from Miellikki to adulthood for a new and greater challenge at the sides of Drizzt. A fascinating look into the soul of these figures.

The Sundering is a series of novels, preparing the world for the next edition of D&D, which has become the 5th edition. Since that is the one I play, I did really enjoy this shift in the realms. The great part is that the foundations are layed for the 5th edition campaigns, where the companions play a minor role in the shaping of the world. It’s a well written story, and again Salvatore shows to be more than just a bread writer when he delves into the characters of Catti-Brie, Bruenor and Regis. I thoroughly enjoyed reading this book and now I’m keen to start my first great campaign.

Michel Houellebecq – Whatever

source: goodreads.com

Somewhere in the past I might have read this descent into madness by French writer Hoellebecq. What I like about his writing is the dark edges, the grimy worldview and the inhumanity of humanity. In this book, his debut I should add, he really displays all of that. The book is mostly written in a monologue of the main character, who is experiencing… well… Very little perhaps? Life is a drag filled with mediocrity and the cynicism of the protagonist is all that keeps him afloat. No other human really seems to touch him or get involved with him on any real level. Life becomes very, very gray.

It all changes when the protagonist becomes ill and has to drop out of the tour of France, to train people in the new software the company sells. After a short introspective period in the hospital he joins his colleague again, who desperately tries to seduce some girl in a disco. In a brutal, sick plan he tries to convince his colleague to murder the girl. The colleague fails and dies on his way home in a car crash. The protagonist sinks away even deeper after this. The defeatist story illustrates the view that the sexual revolution has not brought us more freedom on that front, but a system of capitalism. Of offer and demand, where some win and some lose in the tragical desire for contact.

Ruth Kinna – Anarchism: A Beginner’s Guide

source: goodreads.com

Anarchism is a vast political movement, stretching years, but rarely properly analysed. Usually the concept is simply translated into ‘chaos’ or ‘rebellion’. Anarchism is so much more though, but surprisingly hard to understand thanks to our connotations with it ánd our rather brainwashed state of mind. I use that term lightly, because the brainwashing is simply the state of the world we live in. What you know is easily the normal thing, what is new is harder to grasp. In this book Kinna captures the history of anarchism as a political idea, it’s development and its core principles in an elaborate but very clear cut way.

Tracing a route from Proudhon andThoreau to  Tolstoj, Bakunin and Kropotkin, Kinna outlines the great thinkers in the context of their time, moving on to the likes of Nestor Makhhno, Errico Malatesta, Emma Goldman and so fort all the way to Chomsky. Illuminating is the successtory’s of early anarchism in the period from the 1850’s to the 1930’s, where it was fighting over heavily contested terrain with the communists. All in all, this is a great read to get yourself acquainted with anarchism and what it means, can be and how it it shapes the world. That’s a whole lot more informed than posting Rote Armee Fraction pictures on your facebook timeline and calling yourself a rebel…

Simon Reynolds – Bring The Noise

source: goodreads.com

I’ve really enjoyed the book Reynolds made his debut with, ‘Rip it up and start again’. The powerful title really sums up the postpunk movement. In this book Reynolds sort of picks up at the end of that book, but instead of steady chapters we find a collection of the journalistic writings of Reynolds, who lived through the described period as a music journalist. The pieces are journalistic pieces on certain key moments, albums and movements as Reynolds perceived them. The articles also have some current-day commentary added to them, allowing the author to add a modern day look to the equasion.

To me the fascinating thing is how Reynolds weaves together articles about rock music, grunge, hiphop and the growing techno/drum’n’bass scene. The need for noise, rebellion and urban narrative is woven through all these aspects, which Reynolds translates to cultural terms and clarifiers. The link between hiphops lyrical matter, beat and ideology is related to punk, but also to the roots of the movement, it’s location and predecessors in a clear and complete manner. It’s interesting how the author really writes as if he’s the chronicler of the music scene. A worthy read

The Reading of Books #23

Ah, books… I’ve been reading books on D&D and more, so I’ve had happy times. Michael Witwer wrote  a great biography of Gary Gygax,  Another bit of Drizzt reading by R.A. Salvatore, high fantasy by Weiss and Hickman and a treatise on bullshit by Frankfurt. Good times!

Michael Witwer – Empire of Imagination: Gary Gygax and the Birth of Dungeons & Dragons

source: Goodreads.com

Gary Gygax is the undisputed king of the nerds (sorry Chris Hardwick), but who was this Emperor of Imagination? That must have been what Michael Witwer thought, before he embarked on his quest to write this book about the creator of Dungeons & Dragons. The book features episodes out of the life of Gygax. It starts with aregular kid falling in love with comic books, Conan and games. The chapters are usually started with a D&D referring intro, offering a teaser for the life experience discussed in the following chapter. It’s a pleasant book, with a strong feel good atmosphere. The rise of a new idea that no one believed in, a shady period of darkness and then the moment of redemption. Witwer doesn’t eschew the darker periods of Gygax’s life. He also adresses his marriage, his departure from TSR (his company, that he was booted out of) and his drug abuse while staying in California.

Thoug this book is largely written from a pro-Gary standpoint, it is not always as mercyful to the original Dungeons & Dragons game master. The figure of Dave Arneson is greatly trivialized and in this version of the story. His contribution is described as a rambling set of ideas and incoherent notes, which were pretty much useless. This for example is stuff that is left out. Gary remains the sympathetic guy, even though at some time he really must have een a complete ass. His business dealings with TSR were also not a highlight of his carreer. All in all, this is a great book though, demonstrating story telling without really chosing sides as much, more a perspective. A really cool way to learn more about the creation and originins of the great game of D&D and the man who made it happen.

R.A. Salvatore – Transitions (The Orc King, The Pirate King, The Ghost King)

source: goodreads.com

Another series of books by R.A. Salvatore I read as a part of the ‘Legend of Drizzt’. I have to admit that I read these with a heavy heart, having had a good look at the follow-up already and knowing fully well what doom and gloom awaited me. Fortunately I was happy to first read some great story telling, before the unfortune hits me. In these books the world around the heroes of the hall is changing significantly. The world is morphing into the chaotic realm of the later books ánd the world Drizzt will be facing.

It starts with ‘The Orc King’, which is an interesting tale about the tentative peace between the Dwarves and Orcs. A group of conspirators wish to destabilize the already difficult situation to perpetuate the war. In the Pirate King we meet Deudermont again, the heroic pirate hunter from Waterdeep. This time he intends to take on the corruption in Luskan and fight the Lych Arklem Greeth. Worse still is to come when in The Ghost King a creature emerges with the combined forces of various old enemies. We also meet Cadderly again, the human servant of Deneir and his family. Oh, this well known drow drops by too.

The stories are exceptionally dense and well written, but give less space to the characters. Most of them have been fully developed, but the enemies are really very flat. That is not so surprising, since this is really a series of transition stories. What else do you need to know after reading all previous books, one could argue. That would be right, the world is changing and that means you have to shift the players to that setting. Salvatore does that with three touching, great and magical books. I really enjoyed reading these.

Margaret Weiss & Tracy Hickman – The Magic of Krynn

source: wikipedia

As it is, I’m a Forgotten Realms fan. I’ve not learned much about the Dungeons & Dragons universe beyond the Sword Coast and I’m not very familiar with the past. Reading this masterpiece by Weiss & Hickman, two of the most appreciated writers in the scif-fi/fantasy. I’ve gotten my first taste of their work with the ‘Death Gate Cycle’, so their skill were known to me. I learned that they had started out as TSR writers, D&D’s company. This is the first Dragonlance book with short stories from the wildly popular Dragonlance setting, which probably helpt put D&D on the map even more firmly. The stories are sort of brief and vary between short and funny, fairytales with hidden wisdom and more complex stories that fit in with the bigger story arch.

The characters seem a bit flat at first, which makes them really pieces that help progress the story. It feels very typical for the more traditional fairy tales, where the characters are fairly simple. Soon you start recognizing them and reading their personalities through the stories. For example the character Tasslehoff Burrfoot is a continuous source of entertainment for the reader. There’s really the sense of dark forests and mystery of a world you barely know anything about here. I think that is part of the allure and probably the close connection to classical fantasy worlds, where figures embody deity like essences. Tasslehoff would be a bit of a trickster, a Loki if you will. Though it’s not my setting of preference, I look forward to revisiting it in future reading endeavours.

Harry Frankfurt – On Bullshit

source: Princeton press

Yes, there is a philosophical article about bullshit available, though much like the makers of ‘Idiocracy’, I doubt that Frankfurt thought he’d ever be known to publish something so particular to the current state of the world. Yes, Trump immediately comes to mind when we discuss the difference between lying, not saying something and speaking absolute bullshit. Bullshit is more than just talking out of your ass, it’s more than willingly mislead your audience, it supposes an almost non-caring attitude towards whatever story you’re spinnin.

On Bullshit is an essential bit of reading for the post-factual age that we live in.