Not before has the project from M. (Fluisteraars, Nusquama) and O. (Iskandr, Turia) performed live on stage. Where else to have a first than on the very nexus of dark, heavy music than Roadburn? They’ll perform their commissioned piece ‘The Great Star Above Provides’. Time to find out what we can expect.
Solar Temple was one of the most spectacular acts on Roadburn Redux. This interview preceded the performance and was published on Never Mind The Hype. It also was supposed to be part of the daily Weirdo Canyon Dispatch. It’s been forever and one could argue that it may not be super relevant anymore, but I was proud of this as it is one of my favourite artists involved in this. In fact, I did a new interview a year later, which can be read here.
Into the beyond with Solar Temple
You have been working together on making music for some time. How did this project come about and where do you draw from?
The idea for the band came from a recording session in which we flouted every possible rule. We were guided by instinct and spontaneity and the resulting demo had an alienating and unique sound. It went down pretty well in the underground scene and soon we had inspiration for a full album. Our interest in old, experimental and psychedelic music resulted in a strange impression of sounds that we are now trying to explore further and further.
How is your process in co-creating music for Solar Temple?
Unlike our other musical collaborations, such as in Iskandr, where one of us is clearly the standard-bearer of a creative vision, Solar Temple comes about completely without any preconceived division of roles. We both take care of all aspects of the whole: from composition to performance to production. This works mainly because we both want to push our personal boundaries in all aspects of music.
Until recently, it was a purely studio-oriented project, where the creative process in particular, was of much greater importance than any notion of an end goal, more important than any image of how it should be. An embrace of spontaneous creation. This is significantly less the case in many of our other projects: there, composition and purposeful work toward a clear creative vision is actually decisive. Both impulses can be satisfying and productive. Maintaining separate projects to pursue both avenues proves to be a good method for us.
The style, feel and sound of Solar Temple is exceptional. In the artwork there is a lot of classical imagery, marble, the term Dionysian is used on the debut ‘Rays of Brilliance’, the word transcendental is often used. In short, what is the meaning?
It’s hard to add to the description, as you already put it here. The references in the artwork and lyrics are not very literal but translate the feeling we are trying to introduce the listener to; ideally, it opens doors to an experience that is beyond the mundane.
What makes you guys choose to do a live performance and then also in the form of an online version?
First of all, because Walter asked us to make a commissioned piece together, and we were already interested in doing that. That this would be under the name Solar Temple was far from certain. The restrictions on getting together, among other things, meant that we were soon experimenting with ways of writing and rehearsing music in pairs. Only later did we realize that this method might work well as a duo, also for the end product, and we decided to focus entirely on a duo performance. This fitted in very well with what we were already working on in Solar Temple. When we were clear that we were going to perform this piece of music under the name of this umbrella project, it released a lot of creative energy in us.
You have worked on a commissioned piece for Roadburn before. What makes it so appealing for you to make something that, in a sense, is a one-off?
It is indeed a challenge to put so much energy into something that is somewhat ephemeral in nature. I think it’s just a huge creative challenge for both of us: it’s a kind of external motivation that you don’t often encounter as a relatively obscure underground artist. Normally you make something, and you put a lot of energy into it, and then you hope that there is a demand for it. In this case, it’s the other way around: the demand is already there, from Roadburn who say: “we believe in you, go make something” and then you go and make it happen. Combined with a concrete deadline and the emphasis on live performance, this is just totally different from how you normally operate. And that is challenging and refreshing.
The creation of the piece ‘The Great Star Above Provides’ was a deconstruction. Can explain what that means?
We can be brief about this: in the studio you can do anything, a live show with two musicians is much more limited. That necessitates deconstructing what we want with Solar Temple. The rest the Roadburn Redux viewers will see for themselves!
Can listeners expect a continuation of the already ‘familiar’ Solar Temple sound?
It really will be completely different. Not completely unrecognizable for those who are familiar with our further output (also in our other bands) but really completely new.
Will this also be a harbinger of a new release?
We shall see.
What would you like to see at Roadburn?
We’re especially curious about everything concerning Neptunian Maximalism and of course what our friends in Dead Neanderthals have in store for us!
I hope you didn’t miss this back in lockdown-days; Solar Temple laid down the Cormac McCarthy-an mysticism with a vengeance.