Label: Eldritch Lunar Miasma Records/Rat King Records
The Scottish black metal band Úir has plenty of experience in the ranks. Members of Úlfarr, Barshasketh, Haar and Vostok. Plenty of goodness there then to make a great bit of atmospheric black metal non the intriguing record ‘Tein-Éigin’. Yes, it feels a bit like Elvish or something like that, with its peculiar cover and symbolism.
Úir is a band made up of Scottish and Cumbrian musicians, true northerners so to say. On this album the theme is the passing of seasons in the sense that ancient cultures revered the sun and the moon in its paths like this. The sun as the life giver, the moon as the teller of time. The record travels from the rise of spring to the darkness of winter in four songs. I must say, they’ve done this quite well with an attractive album here.
The album kicks of with some astounding guitar work, which feels like some prog metal actually. The title-track creates a space, with languid, soaring riffs and a crisp clear sound. It’s black metal aspects gradually overwhelm. The sound of sunrays sticks though, even when howling vocals call out in the spacious sound. Though the sound may be very stretched out, there’s also a condensed element to the track and to the general sound of Úir. There’s little in the sense of unnecessary bomast and that makes the music feel more urgent, more direct in its expression to me.
The same feeling sticks with the following ‘Mi na Grianstad’, which deals with the summer solstice. The song clocks over 8 minutes and starts as a full on blasted flow of black metal, but after a few minutes it dwindles down to a gentle part with reverberating guitarplay. I have to put a little Opeth comparsion here, in the way Uír is so completely balanced in their sound. In the final part the vocals take on a more profound role, due to sounding more demented and fierce at one time and the next very much ritualistic. ‘Am Damhair’ refers to oktober, or the season of the deer. It’s a more calm, traditionally progressing atmospheric piece with some clear guitar elements again, creating that right vibe at the right time.
The maddening howls and the torrent of guitarplay are truly the final descent into darkness in winter, as you can hear on the final track ‘Ruiros’. There’s something extremely saddening in the guitar play. The vocals by singer Afallach are truly out of this world on this particular song though. It finishes of a great black metal record.