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Paysage d’Hiver – Im Wald

Paysage d’Hiver – Im Wald

Tobias Möckl is also known as Wintherr, and has a love for winter landscapes. That’s, in fact, the main theme for his project Paysage d’Hiver, which has released a ton of demos and splits over the years. In fact, the project is 23 years old and it required a global pandemic for Möckl to finally drop a full-length album with Paysage d’Hiver. In 2020, the album ‘Im Wald’ became a reality.

It’s not the only project of the Swiss musician, he is also active in the fabled Darkspace and runs the label Kunsthall Productionen. Stylistically, Paysage d’Hiver is an ambient black metal project, as the atmosphere of the music is the most important aspect according to the artist. It’s songs all connect to the same story, which tells of a realm of winter, with the same name obviously,

A winter walk in the forest

‘Im Wald’ is the magnum opus, with a running time of 2 hours. Musically, this is the sonic equivalent of a long walk in the forest, under an obvious layer of white, pristine snow… as the darkness of the autumn sets in on ‘Im Winterwald’. The music is blisteringly intense, but the melodies soar above the jagged treetops and create a mesmerizing specter. One can even detect a hint of that Darkspace weirdness, due to the futuristic keyboard lines that interlace the song. It adds wealth to the tapestry of sound.

Icy storms of black metal

All tracks are fairly long actually. ‘Flug’ takes its time, for example, building up through hazy ambient sounds/field recordings that demonstrate the forest is never truly quiet. But that’s how the song unfolds. Now and then, the guitars come to the forefront, but the babbling of a brook is louder than the acoustic twanging of the strings for most of the song. The music serves as a frame for nature, not vice versa, providing a mournful dirge to the wintery forlorn realms. At other times, the sound scours everything else away from your aural perception, particularly on ‘Kälteschauer’ you are subjected to a hailstorm of distorted guitars with the vocals piercing through the noise like a howling wind. At other times, the tracks can be punishing, caustic. ‘Weiter, Immer Weiter’ is that type of song, plowing through the snow, against the wind that blows with an icy gale. It’s intense and punishing, but the journey is rewarding.

Interesting is that the language choice is switching between German and French on this album only once for the song ‘Le Rêve Lucide’. This track actually feels more traditional black metal, with a pleasant rhythm and clear sound. Crisp riffing, thundering drums the way you like it. To me, it’s one of my favorite tracks. Dark, necro vocals, a constant pushing melody, and rhythm. it’s perfect. But it’s not surprising that an album of black metal of over 120 minutes can be so good. It’s music that needs to bewitch, to entrance you, and transport you to other realms. It’s fantastic to have so much in one go.

Origin: Switzerland
Label: Kunsthall Productionen