Tag Archives: Falls of Rauros

Stranger Aeons End of Year List

Another year comes to a close and that means lists. I never really get excited when the prospect comes around because a list is never as complete as you’d want it to be. In a way, it’s a moments recollection of all the good music that came by in the past year. Still, it’s important to look back and share with the world what it might have missed otherwise.

I can mention a load of bands I would gladly have included here. For example, I didn’t really get around to listen properly to Enslaved and Converge’s new records and I had to chose to omit the likes of Power Trip, Akercocke, and Pillorian.  Oh, and Dool came to me in a big way. Well, you can’t have it all, but here is the list as it is:

  1. Ulver – The Assassination of Julius Ceasar
  2. Amenra – Mass VI
  3. JupiterianTerraforming
  4. Au-DessusEnd of Chapter
  5. Elder – Reflections of a Floating World
  6. Vulture Industries – Stranger Times
  7. FiefIII
  8. King of Asgard:taudr:
  9. Al NamroodEnkar
  10. Eschatos – MÆRE
  11. Der Weg Einer FreiheitFinisterre
  12. RaganaYou Take Nothing
  13. Bell Witch – Mirror Reaper
  14. SpaceslugMountains & Reminisce
  15. GrimaTales of the Enchanted Wood
  16. Myrkur – Mareridt
  17. Hair of the DogThis World Turns
  18. BotanistCollective: The Shape of He to Come
  19. CyaxaresHouse of the Cosmic Waters
  20. Falls of RaurosVigilance Perennial

I would also like to express thanks to the labels that have kindly supplied me with promo materials and support for realizing my goals. In particular thanks to Transcending Obscurity and Qabar Extreme Music PR. Also, thanks to Echoes & Dust for lending weight to my 195 bands project, by publishing these interviews.

May 2018 be a great year in music again. Live long and prosper.

Underground Sounds: Falls of Rauros – Vigilance Perennial

Label: Bindrune/Nordvis
Origin: United States
Band: Falls of Rauros

The band Falls of Rauros has a lot going for them. Firstly, their name is  a Tolkien reference, which always resonates with me. Secondly, their music rates as black/folk metal on various sites (though you can disagree on the terminology, I think it covers their sound well). Also they’re politically charged, citing anarchism as a theme.

This all would not even be necessary, for the Appalachian folk wink in their sound puts them on par with Panopticon and do I love that band. This is the fourth album by the group from Portland in the States, following ‘Believe In No Coming Shore’ from 2014. Artwise, the band takes a move away from their more nature depicting covers with something a bit more fantastic. Also good to have some new material, after all the re-releases ofcourse.

On opener ‘White Granite’,  you immediately hear the combination of beautiful melodies, maybe almost a bit of stadium rock, with scorching vocals. The constantly walk the thin line between beauty and grimness, somehow very akin to nature in that sense. This is not a bad thing though, because the band completely in a natural way finds their path through the different sounds and builds layers upon layers of riffs and expressions to create their specific brand of black metal. There’s  a densely emotional side to songs like ‘Warm Quiet Centuries of Rains’, something truly soothing.

Album highlight is, I think, the track ‘Arrow & Kiln’. It shows Falls on their more heavy end. More massive and cohesive than the rest of the album and therefor in 12 minutes being the song that exemplifies the album. It contains all the strong sides of the band in one go. Great stuff!

On final track ‘Impermanence Streakt Through Marble’ the band completely lets go of the black metal and trickling folky tunes, acoustic play and shoegazy meanderings lead the song forward. When the music gets some more weight after two minutes, this still feels like a beautiful postrock tune, evoking a certain sadness. Vocals come on a bit later, but for me those were not even needed (though they do give the song some body).