I keep finding great underground records, so here are some with Oranssi Pazuzu, Deströyer 666, Ulvesang and Plateau Sigma.
Oranssi Pazuzu – Värähtelijä
20 Buck Spin Records
The name of the Finnish weirdo’s translates as Orange Pazuzu, a demon from Babylonian mythology. Vocalist Jun His’ used to be active in surrealist rockband Kuolleet Intiaanit. Apparently the band started after seeing Emperor play live. There’s little doubt about the fact that Oranssi Pazuzu is a black metal continuation of that concept. The band thus incorporates psychedelic and progressive elements into their own brand of black metal, which leads to interesting results. The band prefers to not repeat itself, leading to even more fantastic fun, every album is different.
The strange, repetitive riffs feel strangely captivating and lull you into a state of mind that is perplexingly relaxed, while maintaining a sense of wonder. The weird sound effects around the songs are enhancing this weird, submerging experience befitting such a band. Weirdly hypnotic riffs, combined with guttural barks are a strange thing to behold. The almost circular atmosphere the band generates is slightly unnerving, but fascinating at the same time in all its weirdness. Its some truly remarkable music, I have to say. I think I detected a locomotive beat somewhere between the twangy riffing.
Plateau Sigma – Rituals
Nothing wrong with a good bit of funeral doom, specially if the band takes the easy going direction that Plateau Sigma embraces. Taking inspiration from the traditional doom/death direction, but also from the Greek and Roman societies of the ancient past, this band is on an interesting trajectory. The cover tells as much, with a warrior lady in full weaponry depicted as on an ancient fresco (the goddess Athena?). The songs are dedicated to the Roman deities and the album itself to Bacchus, because Plateau Sigma believes that their style is the best to represent Dionysian themes. I would disagree, bu tthey make an interesting case that is well worth listening to before judging.
One thing I notice rather quick into listening to this record is the limited vocal range of one of their vocalists (not sure, since most of them take on vocal duties). It just doesn’t add up to the epic scale of the riffs here and there. The general feel of the music makes up for most of that though, in its laid back, pleasant atmosphere. This is normally not the feeling you get from a bit of funeral doom, bu tthe lingering sense of nostalgia somehow captivates you as a listener into a lulling, dreamy state. For a Dyonisian experience I miss the vitality on this record though. It all seems so tame and controlled. It’s a nice listen though, specially when you’re reading D&D novels.
Deströyer 666 – Wildfire
Seasons Of Mist
Deströyer 666 is an interesting band with an even more interesting history. Originally the band hails from Melbourne in Australia, but later they moved to the south of the Netherlands, where they resided for a while. When members left and visas expired, the band seems to have scattered towards London. I guess it’s that Eindhoven connection that made me look into this Motörhead of the black metal scene, who’ve come back to the forefront after a long, long time with their new album ‘Wildfire’. K. K. Warslut gathered some new minions around him and its on!
From the fierce opening riff of ‘Traitor’ onwards. There is no fillers on this album, just relentless blackened rock’n’roll with a lot of oldschool swagger and rawness to it. Deströyer 666 is in no way a band that is opening new doors or is innovating the black metal genre, but they are doing everything in a way that suggests they simply don’t give a fuck whether you like it or not, This is rock’n’roll purity in its natural surroundings. What is very noticable is how the band manages to incorporate various traditional metal elements into their sound, without starting to sound cheesy. It actually makes it even more catchy and fun to listen to these guys. I really love this record, I hope you do to.
Ulvesang – Ulvesang
They might be unsigned, but someone should catch this haunting trio of neofolk musicians quickly, because wherever this music is coming from I want more of it. The Canadians have many influences, but want to state that they are looking for their very own sound within the genre they describe as dark/neofolk. Spiritualism, paganism and nature combined with an element of melancholy are their main sources of inspiration. It’s clear that bands like Ulver and Agalloch have, wether the band knows them or not, a profound impact on the neofolk scene and I think it can be traced to records like this one.
The music is subtle, evoking images of nature and the northern forests. There is a tranquility to the calm and measured presentation of Ulvesang. It all takes its own pace, the way nature works and how time passes in that realm. Trickling gently, the acoustic instruments are not simple clean sounds but echo and reverberate in the air. The production really facilitates that organic feeling in that sense. There is a darkness to the sound though, which I think prompted the band to note their black metal influences in the tag cloud. Its that dark edge that makes them so captivating to me.