What comes up when you hear Mesoamerican/Pre-hispanic death/doom metal? I hope it sounds as primitive and bestial as Tompantli, because that’s a spot-on act. The one-man project from Brian Ortiz, or big o))), is his latest outlet for pure, punishing rage. You may know his work already if you’ve listened to Xibalba or his other solo-project Mortuary Punishment.
It’s a relatively short release, an EP with only four tracks that sound like the darkness of apocalyptic folk tales is finally upon us. If you didn’t know yet (I didn’t), a tzompantli is a rack on which the skulls of human sacrifices were displayed. They found one in the Templo Mayor in Mexico City with 650 skulls, so the Mesoamerican civilizations had been busy. It’s a fitting name for this act.
We enter the world of Tzompantli with sounds of the jungle on ‘Ohtlatoc Copa Llcahualuztli’, as a wall of gnarling, distorted guitars overwhelm us. Slow, pounding rhythms roll out at a steady pace, with a sludgy sound and an intimidating vibe. The growled vocals blast over in tortured, visceral wails, threatening you with unspeakable things. We pick up the pace on ‘Tiamanalli’, which betrays a bit of those groovy hardcore roots Ortiz has. The vocals mere bellows, so distorted it might be as well the thunderous wind. The track starts as death metal stomper but merges into a pummeling death-doom dirge. Noice!
The two following songs are parts one and two of ‘Tlheco Tonatiuh’. They form a hermetic unity in the shape of two slabs of massive, pummeling death doom. The harrowing vibe in the clean guitar parts creates a strange contrast that only heightens the discomfort the song generates. Crushing, wholly destructive and filled with despair. And on that note, I recommend you give it a spin!
Label: Transylvanian Tapes
Band: Mortuary Punishment
Origin: United States
What if your wilderness is the streets you live in? That is what shapes the sound of Mortuary Punishment, who make music inspired by the violence on the streets in Pomona, C.A. It captures something much more raw and random than the wild forest, it captures human life on ‘Pride.Power.Punishment’.
Mortuary Punishment is Bigg o))), and the record starts with the Ghetto bird (the police helicopter) and news samples about the stuff that is going on there on this doom release. The music gently comes up and hits you in the face with a bit of that Latino SoCal Punk rawness to it. It tastes spicy as hell. Not surprising, because the creator is also involved with Xibalba.
‘The Streets I’ is an intro for the record, with all the samples, so we start with the punishing ‘Streets of Death’, which is raw and raucous death doom with a rather lively pace and gurgling doomy vocals. The lyrics offer a straight-forward doom stomper: “Angels marked for death. Weakness will be destroyed. Destroy the light.” Now that’s some heavy punching right there. Sure, musically it’s simplistic, but not less effective.
We soon turn to ‘Chalice of Suffering’. This track picks up the pace after a stop-go introduction song. The repetitive riffing keeps the tension up and you imagine the wall of death to break out any moment, but instead, we move towards a slow, grinding break before we launch into full speed. It’s just bad-ass all the way. Crushing riffs and gut-punching drums, it doesn’t stop. Mortuary Punishment really focusses on the cavemen simplicity. Effect. That’s all that matters. ‘Slaughter the Sheep’ is the crushing final chapter of this crushing, primordial release and what a record it is. Check out this punishing release and get smashed with this dangerous bit of death doom!