Featuring Bog Body, Nyredolk, The Nietzsche, Mentor and Entropy Created Consciousness
These days, what used to be metal in its most vile and violent expressive forms has become a safe and polished sound. If this is a good thing or not, that is up to you to decide. Music evolves and changes over time and where the original wave of doom metal harked towards the fantastic and gloomy, black metal to cold and desolate unfeelingness and death metal really revolved around pummeling and punishing performances, this changes over time and much music nowadays under the banner of death, black or doom sounds particularly easy on the ear. And that’s fine… I guess. But deep down, there’s always crusty, dirty music coming out.
Disgusting, raw and visceral
What should metal sound like? That depends if you believe Possessed or Death was the first death metal act or perhaps if you consider Venom or Celtic Frost the way-paver for this sound. Even doom probably has its dilemma’s. But that’s not what I’m talking about here, as I want to focus on one direction of the development into the gritty, murky, visceral and dirty sound that was so long at the core of the underground. This is the true grit, music that makes you feel like you need to wash up. It’s still there, if you look for it.
Bog Body is a relatively new band, who have not been around that long and their demo is the first statement by the New York duo. Their band photo depicts abandonment and decay, the rubble of society. Inspired by the ritual aspect of death found in bog bodies, their sound is one of simplicity and punishment. Doomy, gloomy passages with grinding distortion and minimalist repetition. The vocals are harsh howls, full of bite and venom as ‘Dessicant Drip’ despoils your senses. Pummeling, daring and challenging you like a mad hobo wielding a knife in an alley, the songs just barrel forward, lunging, grabbing and squeezing the life out of everything. And this is only the debut.
There’s a lot of similarities with the Danish band NyreDolk, who are also a masked duo standing in the remains of western society on their profile picture. Their crusty, punk-infused sound is like black metal gone wrong according to their bio and they are quite honestly spot-on there. Ramming rhythms, that sound like the instruments are scraped over gravel, as the vocalist taunts and bellows his crooked words at you. But the band can also sound truly demented and harrowing on a track like ‘Dø Langsomt’ with these crawling passages. Absolutely brilliant material in its squat-crust-splendor with that big, challenging and evil sound you love from black metal. A great record and a promise for more, but I kind of hope they stick to making EP’s like this.
Music from the dirt doesn’t need to sound disgustingly unclean though, it’s all about the raw intent and fury. It can be a straight, raw punch to the jaw in a hardcore vibe. Uncut diamonds, rough in their pure glory.
So you hardly need that black metal vibe to sound raw and dirty, which Ukrainian dark hardcore band The Nietzsche proves on their ‘Finals’ record. Imagine the bastard child of The Chariot and Mastodon, singing in Russian and English, both hard and fierce as well as creepingly melancholic. The sound is versatile but so direct. The lyrics are in fact the most notable, with poetic and complex lyrics, particularly in a song titled, rather obnoxiously I assumed at first, ‘Shake Your Spear’ and ‘Emily (Wants The) D’. These guys are not attempting to be anything you expect and underneath the gritty armor, there’s a complex and beautiful piece of music hidden for those willing and able to understand it. Pretty sure Nietzsche would appreciate this superior beatdown sound.
Described as satanic hardcore, Mentor features members of Thaw, Furia and J.D. Overdrive. And pardon me, but… FUCK! This record comes in with a firm kick to the teeth and a whole lot of grit. ‘Cults, Crypts and Corpses’ is like a sick fantasy from a bunch of guys who normally take the roundabout way to bring their message in an atmospheric haze. This time, they can just handle the axe, bat and club. It’s tight riffing, bellowing vocals and a stomping, rocking vibe from start to end. Just check out a track like ‘Death Mask’, which just pummels you in the face, like a little Slayer tribute. Or my favorite, the darkened and demented Kvelertak-like ‘Churchburner Girl’. Man, this record makes you want to get all sweaty and dirt stained in a muddy mosh pit at a festival or so. Every guitar lick, every riff is just nasty and the record hits the right spot!
Lo-fi black metal is an excellent way to create a sound so oppressing and hazy, that it feels similarly unclean. Entropy Created Consciousness does just that on their decay-ridden, abyssal sounding record ‘Impressions of the Morning Star’. There is an eerie line of hope in the sound of these songs, created by a mysterious entity without face and name, inspired by William Blake and the grand grotesque of classic doom metal by bands like the Peaceville Three. But the sound is so wrangled and wrong at times, that it makes you feel uncomfortable as a listener. Dark and foreboding, yet open and vast. Yeah, this is something sinister, so you should probably check it out.