Sounds from that ol’ Underground, this time with black metal from Grima, Ancestors Blood and Bucovina. Also in this is In Gowan Ring who add a bit more folk after Bucovina’s folk metal. Enjoy reading and listening please.
Grima – Devotion to Lord
Naturmacht Productions
No, this ain’t no unblack metal band, this is nature worshipping, organic sounding intense Siberian black metal. This duo from Russia might be that answer to the Cascadian wave from the USA from the frozen wastes of the tundra. Ok, I’m romanticizing the whole thing now, but there’s s a truth to it. Naming it atmospheric BM, Grima could have just as well decided n the post-black metal description, because their sound is far removed from the fire and brimstone roots of black metal.
The shades of trees, the stingy needles of pines and the cold fog on the floor level are not hard to picture when listening to the music of Grima. Bewildered and lost in the middle of a primordial forest, one finds quiet and peace, but also the full intensity of nature as blistering salvo’s of guitar play imitate wind, water and earth in its full majesty. The music can be beautifull, but also cold and biting, with long, wavy passages of guitars and the drums brought really back in the mix. A great record for those who love the BM nature worship. Props.
Bucovina – Nestramutat
Lupii Daciei
Hailing from the Carpathian mountains, this folk metal band from Romania has been around for 15 years now. This is their third full length, and it’s a special one at that. They demonstrate that Romania has more to offer than Negura Bunget, who used to be on the same label actually. Bucovina now operates through their own label Tara de Sus. The band explores in their music the ancient Dacian heritage and Romanian lore in a romantic fashion. The band implements folk influences and storytelling into their sound.
That results in a truly stunning album, where the vocals actually take a main role in it. While blistering blast beats bludgeon their way forward, the band also has melancholic singing, which appears to lean close to spoken word and chanting at the same time. The music is epic, but never bombastic and has interesting structures in its build up. The timbre of the sound is very earthy and at that also rather catchy I’d say. It results in distinct sounding album, that reminds me most of the likes of Dalriada. Recommended listen.
Ancestors Blood – Return of the Ancient Ones
Heidens Hart
The unmistakable cold sound of this band reveals the Finnish origin instantly. Cold, harsh Finnish pagan metal, paying homage to the forefathers of the ancient times with magic and rituals and all. The album counts 50 minutes of dense, atmospheric black metal to commemorate the pagan times in a glorious manner. The band themselves describe their sound as Esoteric Heathen Metal. A fine description I would say, for a rather particular sound that the band embraces.
The sound of the Laitila band (that’s a town, not a weird spelling of Latino) is landing on you like showers of rain in a gale of wind. Continuous, gracefully waving windows of sonic distortion, combined with atmospheric synths that give an almost sacral, ritual aura to the sound. The vocals are wild howls, a deep despair oozing from, in the same way the rest of the sound envelops you, slowly bathing you in grief and mournful rememberance. There’s definitely a lot of emotion in the sound, without ever trying to really seem grim and dark. In a sense the comparison with Summoning makes a lot of sense to me when listening to the record. The way the keys and guitars work together, offers an epic bit of black metal, but without any sort of hope. The record has been out since 2007, but has been put out again. A good choice I’d say for the label.
In Gowan Ring – The Serpent and the Dove
Les Disques du 7eme Ciel
Music does not need to have full on blast beats and bleating vocals to overwhelm. Music can be quiet, gentle and measured to achieve maximal impact and that is exactly what In Gowan Ring aims to do. This is the first album in a long, long time. Poetry, nature and folk instruments and stories of both stoens and angels, as the description states. This is an album to dream away with on these long, cold winter nights.
Gentle music trickles out of the speakers, with minimal sound and therefor so much more power. The opening strings immediately evoke the autumn. Wind swept fields and a rainy sky, with trees on the horizon. Then the clouds break and the tranquility of ‘Thousands of Bees’ is like a warm sun beam on your face in a dense forest. The beautiful words strung together warmly by the American B’eirth. His vocals lull you into dreamy realms of a different, other world that once was and maybe once may be.