Label: Pagan Records
Yes, it’s named after me! No, just kidding. Furia recorded this EP around 320 meters in debt, underground, in its entirety in a mine named ‘Guido’, hence the name of the record. Furia is a mysterious band with little information available, who literelly went underground to make music on this record.
Furia is part of a small Polish collective of artists, named ‘Let The World Burn’. Other bands like Massemord, FDS and Cssabia seem to be attached to it, but it’s never really clear what happens behind closed doors so to say with these collectives. This project is known to be the inventors of ‘nekrofolk’, which is a vague term until you listen to the music they make, It’ll all make sense then.
In a way the record is divided in two parts, one contains the songs ‘1’ and ‘2’, and is called ‘Stara Polska księżycowa’, which I think translates to ‘Old Polish Moon’. Stomping folk music with a cold, morbid sound is indeed a fitting description for the sound of Furia, but the atmosphere and spoken elements betray much more on the second track. Slow but full of purpose the tracks progress with rhythms you wouldn’t expect and sing-a-long elements even. It would almost be jolly.
‘Ubrdy część pierwsza’ is the title of part two, but I haven’t been able to translate it properly. But the strange opening of ‘320 w 2’ is already telling for the atmosphere, because it’s like going down the elevator shaft into the debts. Probably that is actually what we are hearing. It’s a short intermezzo, before ‘Hahary’ takes it’s time to build up, slowly and in a way that makes you wonder where this is all going. A groaning voice murmurs over the minimal music, which is almost a bit jazzy. It then starts building up, with a reverb to create a sonic tunnel effect. I guess you could call it kraut rock almost, there’s little growth, just repetition.
‘Łączka’is even stranger, and reminds me most of Tunng’s folktronica. A lumpy rhythm with those softly spoken words in a deep voice for a good couple of minutes, before the song swells with screaming guitars, but the rhythm never fades. It’s a foreboding trodding track, with little black metal traces remaining. You could indeed call them progressive in their interesting play with the sound. Closing track is ‘Lew Albinos’, which has some ripping guitar tones to take it away. I reminds me a bit of that slow paced Urfaust sound, but without the maddening shrieks. It feels like the slow procession of the miners through the tunnels, grim, bleak and dark with nothing but darkness awaiting.
Furia delivers excellence on this record, which was recorded live. Check it out, you won’t regret it.