Back in 2016 Ulvesang created a splash with their northern influenced folk tunes. Their self-titled record was an absolute joy to listen to. The Canadian group takes their influence from the more atmospheric and folkish black metal bands, condensing it into mournful, but clean, clear folk music. This is the same path they still walk on ‘The Hunt’, their latest endeavor.
I was surprised this band was not signed. Although it clearly is not an easy genre to sell, their music was so good and cinematic, that it must be attractive. Luckily, so thought the good people at Nordvis. This album offers the narrative of a hunt, the awareness, effort and also consciousness that is part of the killing for your personal needs. It’s imaginary and powerful, subtle and measured.
A ritual chanting opens the hunt, with ambient sounds taking you to a different place. Tranquil, wavery folk music follows and flows naturally, with mellow sounds and finger-picking guitar play. The drums give a mild bombast to the songs, taking them back to that primitive aspect inherent to the music of Ulvesang. Chanting becomes more mellow and almost Clerical throughout ‘The Dance’, which lacks the urgency the theme suggests up till the point where the guitars become a bit riffier.
One of my favorites is the title track, which meanders and dances in its simple yet beautiful way. The bass line is played with precision and a gentle touch, reminiscent of the galloping run over the wild planes of yesteryear. That is how a song like ‘The Gloom’ really feels like that remniscent moment you experience, while sitting next to a campfire in the gloomy night. When the mists surround you and time fades for just a moment. That is the absolute magic Ulvesang offers.